French oral gymnastics: Getting “vous” right

Instructions:

Limber up your tongue and lips! And send me a comment if there are any sounds you cannot pronounce.
Today’s exercise: repeat after the speaker 8 times. The idea here is to improve a reflex you need to have: knowing (without thinking about it) when to pronounce the S in VOUS.

I hope you enjoyed this one!
Another “French Oral Gymnastics” exercise

Echoing tips for the above exercise:

  • First line:
    • You see two examples of vous. Listen to hear the Z sound at the end of both vous. Without this vowel sound, a fast speaker could run the ou of vous and the ê of êtes together. Then, your ear might think it is hearing one syllable instead of two separate syllables.
  • Second line:
    • Again, you see two vous in this line; but here, only the second one has the Z sound. The first vous is followed by a consonant: no chance of getting confused and thinking that you hear one syllable instead of two. The second vous is followed by a vowel. So that the ou and the following a don’t run together and trick the ear into thinking it is hearing a single syllable, we need a liason to break them apart so that you hear both distinctly.
    • When you pronounce dépité, makes sure that you pronounce that i as eee. (As an English speaker, you are going to tend to pronounce that i like the i in the English word ‘hit.’ But don’t worry: this is not one of those pronunciation mistakes that will cause a French person to misunderstand you.)
  • Third line:
    • Here, you have On twice; but they are pronounced differently. Do you hear the difference? The first On ends with a nasal sound; but the second On has that nasal sound and then a noticeable N sound. Notice that, to the ear, it’s actually O+nasal sound……. n’était. So, it almost sounds as if the N is at the beginning of était, right? This pronounced N helps separate the vowel sound of On from the vowel sound of était. So, again, a liaison to avoid having vowel sounds from separate words running together and tricking you into thinking that you are hearing one syllable instead of two.
  • Fourth line:
    • Notice that the ts at the ends of contents and clients are silent. All you hear is that nasal n sound but no T or S sound.
    • The eu should not sound like the ou in vous. Instead, it should be that tight, front-of-the mouth U sound.

Ok! Now that you know all of that stuff intellectually, now that you hear those sounds, practice echoing them correctly after the native speakers so that all of that becomes automatic and you don’t have to think about it next time.

For members: the slow echoing recordings can be downloaded so that you can practice echoing them in the car. (Not dangerous because it does not require reading while driving!)

If you don’t know what I mean by ‘echoing,’ here you are: I mean repeating just after the speaker. Instead of saying the words at the same time, you allow a slight delay. You may need to turn the sound up a bit in order to hear the speaker’s voice above your own. Look out for words that are hard to pronounce. When you find one, experiment with moving your tongue and lips in new ways until you find a movement that makes that word easier to pronounce. I find this to be challenging but fun. I hope you enjoy it!

Best regards,
David.Tolman@FluentListener.com
FluentListener.com

Death of a Diva

Tod_einer_Diva_Track_01_Kapitel_1_Mittwoch_15_Uhr_34

Tod_einer_Diva_Track_02_Kapitel_2_Donnerstag_8_Uhr_58

Tod_einer_Diva_Track_03_Kapitel_3_Donnerstag_10_Uhr_12

Tod_einer_Diva_Track_04_Kapitel_4_Donnerstag_11_Uhr_25

Tod_einer_Diva_Track_05_Kapitel_5_Donnerstag_12_Uhr_28

Tod_einer_Diva_Track_06_Kapitel_6_Donnerstag_13_Uhr_07

Tod_einer_Diva_Track_07_Kapitel_7_Donnerstag_14_Uhr_37

Tod_einer_Diva_Track_08_Kapitel_8_Donnerstag_15_Uhr_03

Tod_einer_Diva_Track_09_Kapitel_9_Donnerstag_16_Uhr_23

Tod_einer_Diva_Track_10_Kapitel_10_Donnerstag_17_Uhr_18

Tod_einer_Diva_Track_11_Uebungen_Kapitel_3_Aufgabe_1

Tod_einer_Diva_Track_12_Uebungen_Kapitel_4_Aufgabe_3

Tod_einer_Diva_Track_13_Uebungen_Kapitel_6_Aufgabe_1

Tod_einer_Diva_Track_14_Uebungen_Kapitel_8_Aufgabe_2

Tod_einer_Diva_Track_15_Uebungen_Kapitel_9_Aufgabe_1

Gladys and Walter recordings

The first two files come from cassette recordings made in Plattsmouth in 1992 or 1993.

The sound quality is a lot better on the file number 3. It seems to be a ‘recorded letter’ to Ralph made in 1972, when Anna was pregnant with Chrissie (because there is a point on the tape in which they mention having heard a recording of me and they say they are excited about the new baby on the way.) Instead of sending a letter, Gladys and Walter took turns recording events of the day, I suppose until the tape was filled up, and then they sent the tape in the mail.

Recording 1

Recording 2

Recording 3

Recording 1

Recording 2

Recording 3

Carolina and Marta talk about baseball in Italy

Marta Ilena interviews Carolina Maggioli on the subject of baseball in Italy.

Baseball in Italy, Track 1

Baseball in Italy, Track 2

Baseball in Italy, Track 3

Baseball in Italy, Track 4

Baseball in Italy, Track 5

Baseball in Italy, Track 6

Baseball in Italy, Track 7

Baseball in Italy, Track 8

Complete interview with loop tool

Want to download the PDF and the MP3s? Click here

8-second French : la Bataille de l’Atlantique 8-3

Scroll down for a video about this sample.

Videos to learn more about this site:

Click play to find the free stuff
PlayPlay
The three types of listening
PlayPlay
Learn to hear a "vowel bend."
PlayPlay
Hearing, "c'est pour ça que j'ai dit" in spoken French
PlayPlay
How to say "soeur" in French
PlayPlay
Improve your accent with the 'Speak Better' exercises
PlayPlay
Using the loop tool on your phone
PlayPlay
Do you hear the "e"
PlayPlay
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